Silence is reserved for what cannot be verbally expressed. The well-known Wittgensteinian quote summarizes an established understanding of the relationship between language and silence: because language is not enough to account for reality and thinking, it must be transcended by other means of expression, like music or silence. But what if the opposite is the case and silence is not the extension but the precondition of language, the ultimate source of meaning? This paper explores how this is the phenomenological and (...) Derridean philosophical framework of Coetzee’s novels, a literary universe created from the will to signify and build singular meanings. (shrink)

In a problematic relationship with the noted continuity between Port-Royal’s Grammar and Francisco Sánchez’s Minerva, and with both regarding the recent developments in Linguistics, this essay tries to go into detail about the differences between these approaches, and specially about the relations between grammar and thought in Sánchez and Port Royal’s works.

Este trabajo analiza la huella del estoicismo clásico en el cine de Aki Kaurismäki. Distingue tres tipos de aproximaciones a la obra de Epicteto a lo largo de la trayectoria cinematográfica del director finlandés: películas protoestoicas, dramas antiestoicos que muestran el fracaso del Enquiridión y películas de un estoicismo revisado que lo hacen compatible con la empatía, la solidaridad y el carácter fundamental de las relaciones afectivas para la vida humana en nuestro presente. Frente a la visión triunfante del individuo (...) hecho a sí mismo, preconizada por el «neoestoicismo» en boga, los estoicos perdedores humanos de Aki Kaurismäki nos llevan de regreso al verdadero propósito del arte de vivir epictetiano: aminorar y evitar el sufrimiento humano. (shrink)

RESUMEN El trabajo tiene como objetivo revelar la contribución social de médicos camagüeyanos negros a la educación católica, a partir de su relación con los colegios regentados por la Iglesia, en un contexto marcado por desigualdades raciales. Se utilizaron métodos teóricos como la revisión documental y bibliográfica, también fueron aplicadas historias de vida y entrevistas. La investigación se centra en el quehacer asistencial de médicos camagüeyanos, vinculados a las Hermanas Oblatas de la Providencia, en particular a los colegios a cargo (...) de estas monjas negras, que educaban a niñas y niños de ese color de piel. Se pudo esclarecer quiénes fueron los doctores más vinculados a esas instituciones y establecer cuál fue su labor en ellas en las décadas del 40- 50 del siglo XX. Queda valorada su contribución social en la asistencia brindada a ese segmento poblacional y al significado de esta sin la mediación de prejuicios raciales. ABSTRACT The purpose of this paper is reveal the social contribution of black Camagüey doctors to the Catholic education from it relation with the schools occupied by the church in a context marked by racials ineguality. It put in practical use theoric methods such as documentary an bibliographical revisión; it also were aplyed life history and entreviews. The research it focus in the assistance job of the Camaguey doctor linked to the Sisters Providence Oblates, especially the schools of these black nuns who give education to black girls and boys. The paper show who were the doctors most linked to these religious institution and to situate their Jobs in these schools in the ´40 and ´50 of the 20 th century. Their social contribution is valved in this type of population and the meaning of this contribution with out racial prejudice. (shrink)

Esta investigación tiene como objetivo principal reflexionar sobre la efectividad de las aplicaciones de arqueología virtual en públicos escolares para la comprensión y el aprendizaje del patrimonio arqueológico con el fin de aprehender de qué manera las tecnologías, como la Realidad Aumentada y la Realidad Virtual, pueden aportar un valor añadido a las propuestas educativas realizadas por museos y sitios arqueológicos que no cuentan con esta inclusión. El análisis exploratorio del caso se realiza en el Museo del Mar de Santa (...) Pola (España) que ha desarrollado este tipo de aplicaciones en el yacimiento arqueológico romano que gestiona, el Portus Ilicitanus. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Creativity Belongs to the Person, not to DiseaseJuan J. López-Ibor Jr. (bio) and María-Inés López-Ibor (bio)Keywordscreativity, patho-biography, Saint Teresa, visionsIn the paper, “From the Visions of Saint Teresa of Jesus to the Voices of Schizophrenia,” Cangas, Sass, and Pérez-Álvarez (2008) take an original approach to patho-biography that is very welcome.The temptation to designate historical individuals or characters of fiction as suffering from mental disease has (...) always produced disagreeable feelings in me. This sort of abuse of psychiatry and of the people in question is parallel to the abuse by the media or lay citizens when they describe, say, an especially violent murderer as a schizophrenic—forgetting that the vast majority of people with schizophrenia are not in the least violent. Having read Santa Teresa’s writings during my adolescence, well before I even considered entering medicine, I reacted to comments about her alleged psychiatric illnesses with uneasiness, to put it mildly. The Santa Teresa of La Vida de la Santa Madre Teresa de Jesús (her autobiography), of the Camino de Perfección, and of the El Castillo Interior was surely not a mental patient, it seemed to me. The same would apply to San Juan de La Cruz, Jean D’Arc, Don Quijote, Sancho Panza, Edipus, and Clitemnestra, to mention a few. Even van Gogh’s paintings did not seem to me the productions of a patient with schizophrenia or epilepsy. Of course all of them may have suffered, at certain periods of life, symptoms attributable to a mental disorder, but their creativity rested elsewhere, and was often manifest during healthy periods of their lives. After years spent fighting the stigma of mental diseases, and after organizing several exhibitions of works of art of people with mental diseases, we came to the conclusion that creativity and singularity belong to the person, not to the illness. Some of the diseases of these individuals may have being accidents (van Gogh’s hallucinations and psychotic symptoms, for example, were most probably due to intoxications with absinthe, then rich in hallucinogenic alkaloids such as tujone), or, together with other life circumstances, may have had unspecific influences on the person’s condition. In contrast with many other psychiatric disorders that are represented in ancient Greek and Roman literature, there are no descriptions of individuals with schizophrenia in the Greek and Roman literature dating from the fifth century bc to the beginning of the second century Ad (Evans et al. 2003), and several authors have speculated that schizophrenia did not exist before the eighteenth century (Ellard 1987).Caution is important when dealing with mental health and religious issues in contrast with creativity. The creativity of people suffering from bipolar disorders is well recognized (Jamison 1993) and [End Page 277] the same applies to alcohol and drug intoxication. Tellenbach (1986) has also written on the creativity of depressed persons, although he refers more to the disposition of mood (Schwermut) than to clinical depression as such. The link between melancholia and genius put forward by Aristotle has often been misinterpreted. The philosopher was considering the melancholic temperament and not the melancholic illness as we would understand it today. Of the four temperaments, it is in his view only the melancholic that is gifted with creativity. The sanguine person seeks the immediate pleasures of life, the choleric one considers himself powerful and dedicates himself to manifesting this power, and the phlegmatic individual is disconnected from life and seeks to live without effort or pleasure. The melancholic temperament leads to creativity because of the predominance of doubt, reflection, and dissatisfaction with the miseries of life.Freud’s notion of religiosity as a collective obsessive neurosis is totally mistaken, in my view. The three main themes of obsessions are cleanliness, order, and guilt. In none of these cases is the theme the goal of the action; rather, it is a strategy to contain anxiety. As a consequence, patients with obsessions and compulsions about dirt and cleanliness tend to be dirty themselves, because the real purpose of their compulsions is not in fact to be clean but rather to satisfy a ritual. When order... (shrink)

Nel tradurre Processo e realtà è importante considerare che l'opus magnum di Whitehead ha una natura metafisica, cosmologica e sistematica. Il sitema di Whitehead è aperto; le sue categorie sono interrelate e non vanno considerate separate dall'intero del sistema metafisico. Le generalità metafisiche sono difficili da esprimere e il nostro linguaggio è fortemente limitato. Ciononostante, il traduttore di Processo e realtà deve saper cogliere le parole esatte e rigorose al fine di rendere quella vera e propria "rivoluzione linguistica" introdotta da (...) Whitehead nel suo testo. La traduzione italiana bilingue di Processo e realtà condotta da Maria Regina Brioschi ha in questo senso raggiunto un risultato eccezionale. (shrink)

Die Studie zeigt, dass Autobiographien weit mehr sind als individuelle Lebensentwürfe. Vor allem Autobiographien von Paaren zeugen von den Schnittstellen gemeinsamen Lebens und Schreibens. Sie bieten sich in herausragender Weise an, die Zweistimmigkeit im Leben und Schreiben von Paaren in den Blick zu nehmen und relationale Dimensionen des Lebens in kreativen Schaffensprozessen als ethisches und ästhetisches Moment wahrzunehmen. Dem komplexen Beziehungsgeflecht von Autobiographien wird hier am Beispiel des bekannten spanischen Schriftstellerpaares María Teresa León und Rafael Alberti nachgespürt. Über (...) die individuellen Prägungen der Autobiographien hinaus wird das Netz, das zwischen beiden Autoren und Texten im autobiographischen Schreiben gesponnen wurde, aufgedeckt und einer Stereophonie der Autobiographie Raum gegeben. (shrink)

This book is a multi-faceted attempt to understand the psychological mysteries of land, space, native cultures, changing eras, and geographical dislocation. It shows us that many remote and seemingly peaceful areas of the world have their own dark and silent pasts in which their original inhabitants were often brutally wiped out. Weaving history, geography, myth, philosophy, and psychoanalysis together, this book tries to understand why such atrocities were committed, how those subjected to these 'crimes' might have perceived them, and what (...) are the long-term, trans-generational consequences of these historical events. (shrink)

La autora argumenta que la experiencia de vincularse con un animal desde cierta paridad -como ‘tutor-amigo’ de una mascota-, es una de las experiencias vinculares más significativas en la comunicación humano/animal, y que ella muestra la artificialidad de las barreras que la sociedad erige frente al fenómeno animal. Desarrolla en el artículo el imaginario psico-social en torno a los animales, su investidura significante para la existencia humana, con virtudes elevadas a la vez que como un habitante amenazante para nuestro inconsciente, (...) y advierte sobre el daño psicológico para el ser humano al permitir el abuso de animales. Plantea finalmente que la nueva cosmovisión de la complejidad permite dar espacio a una mirada integradora en un universo de seres vivos. (shrink)

The aim of this article is to explore the concept of “courtliness” in Castiglione and Gracián. The hero of Gracián learns the art of the “courtliness” from Castiglione, but he is not a “courtier”. Gracián uses the word “courtier” in a much broader sense. The courtliness in Castiglione is a sort of meta-discipline that contains in itself all the arts and is founded on the universal rule of «grace». The article shows how the theory of the grace of Castiglione, through (...) which the count would have been able to reconcile two requirements, achieved success in Court and a life governed by the sign of elegance, loses its intensity in Gracián, who insists more on the strategic behavior, based more on prudence and discretion than on grace. The courtesan philosophy of Gracián is understood as a discourse on the life. If we understand the court as the enclosed space in which the courtier of Castiglione lives, it is not a philosophy of court but a philosophy of human life. Gracián court is the square in the world. (shrink)

El presente trabajo busca las ventajas de articular la inducción y la analogía con las éticas aplicadas en proyectos socioeducativos. La revisión de artículos muestra que en los proyectos sociales predominan las éticas principialistas, a las que subyace una lógica deductiva, pero algunosestudios revelan éticas aplicadas de corte dialógico y crítico estructuradas con la inducción y la analogía. Se examinan posiciones teóricas sobre el estatuto de las éticas aplicadas, confirmando quela inducción y la analogía están presentes, tanto en la casuística (...) que culmina en la construcciónde máximas o criterios prudenciales como en procedimientos que exigen la participación de losinvolucrados en cada caso concreto, y en el círculo de la hermenéutica crítica con sus dialécticas. Mediante un procedimiento analítico-sintético se examinan 12 proyectos socioeducativos realizados en modalidad no formal. Como resultado, se distinguen cuatro combinaciones: 1) ética prescriptiva y lógica deductiva, 2) ética del reconocimiento y lógicas alternadas, 3) ética dialógica y lógica deldescubrimiento y 4) ética prudencial de la hermenéutica crítica y lógica dialéctica. Se concluye que, al incluir la inducción y la analogía en las éticas aplicadas en proyectos socioeducativos,se contribuye a la mejora de los aprendizajes y a la producción de pautas de comportamiento yconvicciones morales acordes con el contexto respectivo. (shrink)

In accepting the constituent character of the languageand, with this, the mediation that it supposes for our relationship with theworld, is outlined a problem: How to reconcile the decisive and contingentcharacter of this sense constitution transmitted with and by the language, bythe differents natu..

El artículo ofrece un análisis exploratorio respecto a los límites y obstáculos que presentan los reduccionismos metodológicos en la investigación psicoclínica respecto a la espiritualidad. Por reduccionismo metodológico se entiende el proceso de simplificación y operatividad que exige el mismo diseño experimental adoptado en la investigación psicoclínica. El trabajo se limita a señalar un absurdo que se sigue de la misma implementación de ciertos recortes metodológicos: a saber, aquel diseño metodológico que debería garantizar el abordaje racional de los fenómenos espirituales (...) y religiosos opera muchas veces como facilitador de comprensiones erróneas e incompletas del fenómeno. En este sentido quizás podamos repensar estos diseños de la investigación psicoclínica incorporando o atendiendo en sus formulaciones teóricas al bagaje cognoscitivo de las tradiciones teológicas y espirituales –elementos y principios aparentemente ajenos a la racionalidad científica–. Pues ellas pueden significar un camino posible para que las demostraciones científicas de la salud mental adquieran mayor fuerza explicativa. (shrink)

I quattro Studi qui raccolti trattano alcuni temi significativi della filosofia settecentesca: il rapporto anima-corpo in Swedenborg, la presenza o meno di un livello di ragione nell' Homme naturel di Rousseau, la convergenza o meno di radicalismo politico e dimensione religiosa in Mably e in Morelly, la fondazione della scienza economica in Genovesi. Sono saggi molto diversi che sottendono interessi differenziati e stili di pensiero non collimanti; essi, tuttavia, sono accomunati da un'ottica squisitamente storiografica, che, pur nella consapevolezza di una (...) tensione tra presente e passato, tende a cogliere l'autonomia di quest'ultimo, la sua resistenza ad ogni schematizzazione, il suo sfuggire ad ogni tentativo di irrigidimento in immagini definitive. Il quadro del Settecento che emerge da questo volume da un lato mette in luce le diverse articolazioni che la filosofia settecentesca assume nei diversi contesti "nazionali" europei, dall'altro ne sottolinea slanci ma anche ambiguità e incoerenze, confermando quella grande complessità culturale dell' "età dei lumi" delineata dalla storiografia più recente. (shrink)